Betty & George, 2019

Betty & George, 2019

Betty & George, 2019pen and acrylic on marine ply 50 x 50 cm each   Betty and George are named after that ever present human tendency to mistakenly relate unrelated concepts –  a form of Apophenia. I might tell you how these two figures represent two...

A system for sentiments – Privacy

Privacy Policy Effective date: November 12, 2018 Jay Kochel (“us”, “we”, or “our”) operates the A system for sentiments mobile application (hereinafter referred to as the “Service”). This page informs you of our policies...
A system for sentiments, 2018

A system for sentiments, 2018

See the exhibition online at Flinders Lane Gallery: https://www.flg.com.au/exhibition/system-sentiments Further content for this exhibition can be viewed with an iOS device and the Augmented Reality app on the App Store. Simply point your device camera at any of the...
EXPLORATION 17, 2017

EXPLORATION 17, 2017

ARTISTS Kate Banazi, Raymond Carter, Chelsea Gustaffson, Jay Kochel, Jimmy Langer, Anna Madeleine, Marie Mansfield, Holly Pearce, Ryan Pola, Michael Simms & Annie Simpson Barrie Flinders Lane Gallery presents our highly anticipated annual showcase of emerging and...
Rollick & Romp, 2017

Rollick & Romp, 2017

Rollick & Romp, 2017 pen on painted mountboard on dibond 1100 x 1100 mm each edition of 3 plus AP These drawn ‘air studies’ are based on the rocks found in Japanese karesansui – zen gardens – places designed for meditative contemplation. The drawings...
Vagary, 2017

Vagary, 2017

Vagary, 2017 pen on painted mount board on dibond 2050 x 1600 mm each edition of 3 plus AP These drawn ‘air studies’ are based on the rocks found in Japanese karesansui – zen gardens – places designed for meditative contemplation. The drawings were initially derived...
OFF GRID, 2017

OFF GRID, 2017

CURATOR Al Munro ARTISTS Emma Beer, Sally Blake, Julie Brooke, Kirsten Farrell, Jay Kochel, Al Munro, and Wendy Teakel DOWNLOAD THE CATALOGUE DOWNLOAD THE ROOM SHEET As the exemplar of high Modernism, the grid is ubiquitous within contemporary life in instances as...
No feeling whatsoever, 2016

No feeling whatsoever, 2016

PHOTOGRAPHY Brenton McGeachie   ARTWORKS Hidden Persuaders series, 2014 Images of very small things series, 2016 Karesansui 1 & 2, 2016 These drawings explore scale and time through a singular output of pen to paper using a small plotter. The larger images,...
Images of very small things, 2016

Images of very small things, 2016

Images of very small things series, 2016 machine drawing, pen on 220gsm Dessin 594 x 420 mm each edition of 10 + AP PHOTOGRAPHY Brenton McGeachie   EXHIBITIONS No feeling whatsoever, 2016 These drawings explore scale and time through a singular output of pen to...
No feeling whatsoever, 2016

Karesansui 1 & 2, 2016

Karesansui 1, 2016 (dark) machine drawing, pen on chalkboard paint on 300gsm Snowden 141 x 262.5 cm (15 panels 47 x 52.5 cm each) 469,281 objects path length: 2,287,558.05 mm Karesansui 2, 2016 machine drawing, pen on 300gsm Snowden 182 x 282.5 cm (20 panels 47 x 56.5...